Sunday, December 2, 2012

Machinal "Intimate" and "Domestic" Scenes


In the scene from Machinal called “Intimate”, it takes place in a basement apartment in a dark room. The darkness and downwardness of this scene makes me think that it is supposed to reflect how what she is doing is wrong. Having the scene take place in a dark basement rather than somewhere like, say, a first floor apartment with windows makes me think that the situation is scary or risky, or maybe even bad or shameful. The scary feel of it could be reflecting on how scared she feels about her life, which is somewhat talked about in the next scene. The enclosed feeling of a basement also feels how suffocated that the woman is feeling by her life, and how she wished to escape this suffocating feeling. In the scene “Domestic.” Young Woman says to her husband that she is scared, and that she needs to get away. She also says to him that she feels like she is being suffocated by stones. When I think of stones I think of the stone in an engagement ring, or precious stones which they compare in this scene to thinks like mothers and children. So by saying that she is being suffocated by stones she could mean that she is feeling suffocated by those things in her life like her husband, child, and mother, which are the reasons that she needs to stay in her marriage.

Tuesday, November 27, 2012

Machinal and Modern Times


I noticed a bunch of similarities between Machinal and the film Modern Times. The both seem to focus on main characters that are driven insane by the routine, machine like world that they live in. I think that this could be saying something about how doing what society tells you to do and blindly following the status quo turns us into something that we don’t want to be. They both also use a sense of sped up time in which the stories are told, which give both of the stories a fast paced feel. I think that they both do this to show the instant gratification and fast paced nature of modern society. I do think that Machinal does a better job of showing how machines and industry change the way people interact with each other and view the world, because in the play all of the characters, except “young woman,” seem to value order and structure over things like love and compassion. Take, for example, how the mother, Mr. J, and all of the other office workers expect the young woman to marry Mr. J simply because societal norms say so, and regardless of whether or not they love each other.

Wednesday, November 7, 2012

Intro and body paragraph


Michelle LaRosa

ENG195A

Paper #2

 

Through reading a number of poems by William Carlos Williams, it became apparent that he was consistently interested in the idea of people being blind to important things. The poems “The Great Figure,” “The Red Wheelbarrow,” and “Landscape with the Fall of Icarus” all include a central figure in the text, in which this figure is neglected or ignored in some way. Williams’ poetry is also usually very simplistic, and uses mainly imagery to create a simple image. I think that what Williams is trying to convey in his poetry is that the world is full of unseeing people, and the simplicity in the way he describes things helps us to simply see the world around us rather than take it for granted.

The poem “Landscape with the Fall of Icarus” by William Carlos Williams has a lot of imagery elements as well as strong word choice. William Carlos Williams refers to Icarus as “a splash quite unnoticed,” which sort of dehumanizes him and makes him seem insignificant and isolated. Referring to him as a “splash” rather than a boy makes the reader care less about the subject, and therefore make the reader feel more like the farmer in the picture, who also only sees him as a splash. Williams also describes the year as a “pageantry” and says that it is “concerned with itself,” which gives the poem a feeling of isolated self-absorption. By making Icarus’ fall seem so insignificant despite its actual significance, Williams intends to expose how blind people can be, and show how even a person falling from the sky can fail at grabbing people’s attention from their daily lives. I think Williams is trying to get us to remove ourselves from our methodical every day routines and to focus on bigger issued that are currently beyond our one-track minds.

Monday, November 5, 2012

"The Red Wheelbarrow" Explication


Summary-

The poem “The Red Wheelbarrow” by William Carlos Williams is much like his other poems in that he creates a very simple image. In this case, he creates an image of a red wheelbarrow with rain on it, next to white chickens. The red wheelbarrow is the main focal point of the poem, and the rest of the poem is used to describe it. Williams says that “so much depends upon” the wheelbarrow, which also gives it some importance.

Analysis-

Williams once again uses contrast between the “red wheel barrow” and the “white chickens,” which is his way of causing the wheelbarrow to stand out more. This contrast also shows the major difference between the wheelbarrow and the chickens in the sense that the wheelbarrow is a man-made machine and the chickens are natural. This could be saying something about how even though the wheelbarrow is something man-made and created to make life easier, it is still disregarded and seemingly meaningless to people. He also says that “so much depends upon” it, which makes me think that people use it every day and that it is a big part of their lives. But after giving this wheelbarrow so much importance, Williams also says that it is “glazed with rain water” which suggests that despite so much depending upon it, it was left out in the rain. This neglectful image combined with the importance that is also given to the red wheelbarrow shows how even though people depend on it, people are too careless and negligent to take care of it in the right way.

"The Great Figure" Explication


 Summary-

“The Great Figure” by William Carlos Williams is about a fire truck that is driving through a city, and the figure 5 painted on the side of it. He focuses on how something so great and significant such as “the figure 5 in gold” can be so easily disregarded, or “unheeded” as he puts it. Despite all of the “gong clangs” and “siren howls” which should attract a lot of attention, people are so desensitized to it that they ignore it. He keeps his poem very simple and short, and yet he very clearly gets the idea of isolation across.

Analysis-

Williams uses a lot of imagery in this poem in order to set a dreary and dark setting, which is shown in the lines “among the rain and lights” and “dark city.” He also adds a lot of contrast between the imagery of the fire truck and the setting, for example the figure 5 is shown “in gold on a red firetruck” which adds color against the dark scenery. I think he does this in order to make the fire truck and figure 5 stand out a lot, so that it seems even more like it shouldn’t be disregarded. He also described the fire truck as being very loud with its “wheels rumbling” as well as the description of “siren howls” and “gong clangs” which puts even more emphasis on it. Portraying such a bright, loud, and dominant figure against this dark background of a setting and also saying that it is “unheeded” he is making the point that people are unseeing and uncaring. He is also making an effort to make us see, and make us more perceptive to the things that go on around us.

Wednesday, October 31, 2012

Explication "Landscape with the Fall of Icarus"


Summary-

The poem “Landscape with the Fall of Icarus” is a poem describing Brueghel’s original painting “The Fall of Icarus”, and how Icarus is depicted as isolated and disregarded. Williams is focusing on the idea that everything around Icarus is “concerned with itself” that no one notices when he falls to his death, and that it all happens “quote unnoticed.” He is making a statement that people don’t see beyond their daily lives enough to notice significant things that go on around them. Williams keeps a theme which is consistent with many other of his works, which is the theme of isolation.

Analysis-

William Carlos Williams uses a lot of line breaks in his poem in order to convey his meaning. He gives certain words or phrases their own line such as “unsignificantly,” “a splash quite unnoticed,” and “the whole pageantry.” Putting these in their own line gives them more meaning by themselves, and contributes to the theme of not seeing. Describing the year as “pageantry” for example makes everything that the townspeople are doing (such as the farmer ploughing) seem like a sort of empty show or display. And even though all of this work they are doing is empty, they still don’t notice Icarus falling, and he is described merely as “a splash quite unnoticed,” even though this event should be significant. Describing the “whole pageantry of the year” as being “concerned with itself” also contributes to the theme of how people are too self absorbed and unseeing.

Sunday, October 28, 2012

Poetry Continued


After reading all of these poems I came to the conclusion that three of them tended to lean towards a common theme, which was loneliness, neglect, and isolation. I noted in a previous blog that there was this similarity between “The Great Figure” and “Red Wheel Barrow,” but I also think that this theme exists in the poem “Landscape With the Fall of Icarus.” William Carlos Williams refers to Icarus as “a splash quite unnoticed,” which sort of dehumanizes him and makes him seem insignificant and isolated. Referring to him as a “splash” rather than a boy makes the reader care less about the subject, and therefore make the reader feel more like the farmer in the picture, who also only sees him as a splash. This is much like how the figure 5 in the poem “The Great Figure” goes unnoticed, or “unheeded” as Williams puts it. Calling the figure 5 “unheeded” and depicting it as “rumbling through a dark city” makes it look just as neglected as Icarus was. I think it would be interesting to write my essay about these poems and the neglectful nature of them, because they all seem to be touching on that subject.